Monday, February 28, 2011


February 28, 2011 - March 4, 2011
Beginning Acting Weekly Agenda

Monday, February 28th:
Work on acting scenes

Tuesday, March 1st:
Work on “Who, What, Where, When” Journals
Vocal Warm-ups
Sense and Emotional Memory Exercises
Work with Lia and Alegra on “The Roommate”

Wednesday, March 2nd:
Theatre games
Work on scenes

Thursday, March 3rd:
Work on “A Day in the Life” journal
Most Pivotal Moment: Danielle Bossette on “The Cave”
Work with Danielle and Andy in “The Cave”
Work with Lia and Alegra on “The Roommate”

Friday, March 4th:
Work on the character’s biography
Most Pivotal Moment:
Lia in “The Roommate”
Alegra in “The Roommate”
Present the following scenes:
“The Cave”
“The Roommate”
The actors will watch their videos and write a self reflection which will be due, along with their notebooks, on Monday.

Sunday, February 20, 2011


WEEKLY AGENDA FOR ACTING CLASS
FEBRUARY 22, 2011 - FEBRUARY 25, 2011








Tuesday, February 22nd:
Vocal Warm-ups
Work on Who, What, Where, When Journal
Work with Lia and Alegra on "The Roommate" in front of class

Wednesday, February 23rd:
I won't be here today. Field trip! Sorry guys!
Work on scenes

Thursday, February 24th:
Work on Character's Bio
Work on the Entrance Game
Work with Andy Kear and Danielle Bossette on "The Cave" in front of class

Friday, February 25th:
I won't be here on Friday or Monday. Work on your scene. We will begin presenting scenes next week.

Friday, February 18, 2011


2011 Spring Semester Acting Scenes
February 18th:




Yoana Estrada Crimes of the Heart
Xiomara Hernandez

Niyah Edwards Thelma and Louise
Krista Toroitch

Ana Santos The Accident
Cynthia Zarate

Lia Beck The Roommate
Alegra Barajas

Andy Kear The Cave
Danielle Bossette

Melody Gulliver The Show
Christian Polanco

Luisa Rodriguez He Promised – Never Again
Yakelin Oajaca

Tone Tolbert Table Settings
Nechelet Hambie

Katherine Valdez The Break-in
Jennifer

Joanna Magalog Speed the Plow

No Scene or Partner
Sesha Brown
Artak Savtalyan
Itzel
Kimberly Lopez
Fatima Trejo
Emigdio Solis

Monday, February 14, 2011








February 14, 2011 - February 18, 2011
Weekly Agenda for Beginning Acting

Monday, February 14th:
Vocal Exercises
Physical Warm-ups
Go over notebook
Theater Games

Tuesday, February 15th:
Theatre Games!
Make sure everyone has scenes

Wednesday, February 16th:
Vocal Exercises
Physical Warm-ups
Pass out folders
Pass out the following handouts:
Welcome to Beginning Acting
Preparation for Creating a Character
Who, What, Where, When Journal
Objectives, Super Objective and the Pivotal Moment
A Day in the Life
Character's Bio
Self Reflection on Scene

Thursday, February 17th:
Vocal Exercises
Physical Warm-ups

Work on the "Who, What, Where, When Journal"
Work on the first scene:
"Thelma and Louise"
Christa
Niya

Friday, February 18th:
Vocal Exercises
Physical Warm-up
Theatre Games: The Exit Game!
Work on "Who, What, Where, When" Journals
Work with:
"The Roommate"
Lia and Alegra

Objective and Superobjectives


OBJECTIVES and SUPER OBJECTIVES:

Objectives are what you need right now, this moment.

Objectives are simple and immediate: the need to have someone open the door; the need to have someone look at you; the need to have someone listen to you and pay attention, etc.

Each objective met will combine to get you closer to realizing your super objective: what you really need to be happy, safe and content.

Super objectives are larger life needs: the need to live, to survive; the need to take care of your child; the need to love someone and to have that person love you back; the need to have meaningful work.

What does your character want or need to happen by the end of the scene?

What does your character need from the other character to make this happen?

What do you need to do to make that other character make you happy or get your objectives met?

Is the other character standing in your way? What do you need to do to make that character either get out of the way or to actively help you get your needs met?

How will these smaller objectives combine to help you realize your super objectives (larger life needs or dreams)?

PIVOTAL MOMENT:

In every scene there is conflict of some kind. What significant moment in your character’s life made your character choose a particular course of action (which is shown in your scene)?

Create a scene of a pivotal moment (important, crucial moment) in your character’s past in which your character decides to take a particular course of action.

In the scene, “The Witness”, it could be seeing someone brutally murdered in front of you in the past which propels you to become a detective or a cop, or it could be seeing someone murdered in front of you (in the recent past) and you decide not to come forward as a witness.

In “DMV Tyrant”, it could be something as trivial as being pulled over by a rude traffic cop who notices that your driver’s license has expired and you have to get it renewed. If you are the DMV clerk, it could be too many instances of too many rude, dumb people annoying you for too many years.

Your pivotal moment will be determined by your scene’s character. The pivotal moment should be based on your character and your character’s past. It should be a minimum of three minutes long and can include dialogue. You may use other people in the scene with you.

Who, What, Where, When Journals


WHO, WHAT, WHERE, WHEN JOURNALS
When you receive your script, one of the first things you do to personalize the character is to go through the script and create a back story about every person, place, thing or event that you and the other character in the scene refer to.

How do you feel about the other character in the scene? What is your relationship with this person? How long have you known this person? What do you want from this person – both moment to moment, but also in long terms (super objective)?

You need to make up a personal story that creates in you the same reaction that your character feels. For example: if your character is talking about an older brother or sister that s/he looks up to, find a person in your own life that you admire and look up to. If you don’t have anyone like that in your own life, then create someone or create a composite (from several different people, real or from books or films) of someone who you could admire. Write a minimum of half a page about this person. Describe how s/he looks. Describe how s/he acts. Create an anecdote (short story) that shows why this person is meaningful to you.

If your character or the other character in the scene mentions a place, then you must describe the place. You can either draw a picture or create a collage of the place. Then you must write why this place is significant to you. How do you feel about this place? Is it positive? Why? What event occurred here that makes it positive? Does this place remind you of something that is positive? Is it negative? Why? What event occurred here that makes it negative?
If there is an event that occurred in the past, then describe the event. How do you feel about this event? How did it affect you?

If there is an item in the scene, how do you feel about this item. What significance does this item have for you?

A Day in the Life







A DAY IN THE LIFE

When you are creating a character you need to know what your character does on a daily basis.
Where does s/he live? Does s/he live in New York in an apartment, or in a house in the suburbs or on a farm?
What kind of job does your character have? What does s/he do at that job? What does your character enjoy about the job? What are some of the challenges your character faces with this job?
Does your character have a family? Describe the people in your character’s family.
What does your character enjoy doing? What are some of your character’s hobbies? What does your character excel at?
What are some of the challenges with which your character has difficulties?
After work what does your character do to have fun or to relax?

Preparation for Creating a Character


PREPARATION for CREATING a CHARACTER:
1. Character Background
2. A Day in the Life
3. Who, What, Where, When Journal
4. Super Objective and Objectives
When you present your scene for the final performance in this class, you must also turn in your notebook with the above information. Each of the above, “Character Bio”, “A Day in the Life”, “Who, What, Where, When Journal”, and “Super Objectives and Objectives” must be typed and EACH ONE MUST BE at least one full page.
Each assignment is worth 100 points.

Sunday, February 13, 2011

Beginning Acting Syllabus









BEGINNING ACTING

Welcome to Beginning Acting. The class is taught by Kate Bridges. The class is a "round robin" class which means that you will be in the acting class for about four weeks; then, after the fourth week you will transfer into a new class, which will be either dance with Ms. Thompson or dance with Ms. Goldschein or Stage Craft with Kate Morrison or Voice with Mr. Sacks. Each class will last approximately four weeks and you will then go into the next class.  In the spring you will decide which of the four disciplines (acting, dance, music or stage craft) you are interested in and you will be enrolled in one of the four classes.

Each day the acting class will start with vocal exercises, stretches, physical warm-ups and acting exercises - some of them fun, some of them weird. But everyone is expected to participate and the grade will be based in part on participation and cooperation.

We will do theatre games which are for the most part fun, and do require everyone to get up on her or his feet and participate. The games do serve a purpose and are designed to help the young actor grow.

You will pair up or work in small groups of three or four and create scenes and/or pantomimes according to a set guide line which you will perform for a grade. One of the assignments will be given during the second week of class where you and two other actors will each create characters and a scene during which you incorporate three predetermined phrases.


The next acting assignment  will be the observation exercise which is where you choose a person whom you know.  You will "become" this person in a one to two minute scene where this person is  involved in some activity you have seen this person do.  You may use props, other actors and you may speak as the person. This activity will be assigned during the first or second week of class.

As the four weeks progress, you will select a short scene with an acting partner, and you will learn how to create and develop a character.  The process which you will use to create a living, believable character will include improvs and exercises you will perform in front of the class, and written work on the character which will include creating a background for the character, a day in the life of the character, objectives of the character, and a “Who-What-Where-When” journal on the scene. These will be turned in for a grade. The scenes will be committed to memory,  performed in front of the class with blocking and props, and will be videotaped.


You will rehearse with me twice. You will present to me what you have created on your own; I will direct and block your scene which you will then rehearse. A few days later you will rehearse the scene for me but this time fully memorized, with props and blocking. You will then be scheduled to perform the scene  in front of the class. The class will learn to critique the scenes in a respectful and supportive way. Due to the nature of the class, cooperation and participation are  integral parts if the grade.  One cannot work in theatre without getting up on one's feet and participating; nor can one do theatre without cooperation with one's fellow actors or with one's director/teacher.


As a member of the Performing Arts Magnet, you will be expected to usher and work tech on at least one show per semester and to see all of the plays, and dance and vocal productions put on by the magnet.

This should be a fun but also very demanding class. Because of the nature of the class it is important that we treat each other with respect at all times so that we may feel safe to create.

The grades will be determined by the following:
Participation/Cooperation: 60%
Scene: 20%
Written Work: 10%
Outside participation in magnet productions: 10%

The week’s agenda will be posted at hollywoodhighschool.net under teachers’ blogs, under jbridges and under Beginning Acting. You are expected to check it at least once a week to keep abreast of the class’s agenda. If you have a question please feel free to contact me at jkatbridge@aol.com.

Sincerely,
KATE BRIDGES