
Friday, May 20, 2011


Friday, May 06, 2011

Monday, May 02, 2011

MAY 2, 2011 - MAY 6, 2011
WEEKLY AGENDA FOR BEGINNING ACTING
Monday, May 2nd:
Vocal exercises
Work with:
Artak
"Education"
Miwa and Alex
THE WOOLGATHERERS
Tuesday, May 3rd:
Final Scenes:
Artak
Emigdio
Lea
Yoana and Xiomare: CRIMES OF THE HEART
The actors will view their work on video, write a reflection and turn in their completed notebook the next day. The notebook should include "A Day in the Life", "The Biography"; "The Who, What, Where, When" Journals, "The Objectives" and their reflection on their work.
Wednesday, May 4th:
Final Scenes:
Ana and Cynthia: "The Body"
Luisa and Yakelin: "He Promised Never Again"
Work with:
Itzel and Kimberly: "Shopping"
Glaiza and Dionna: "Cyberromance"
Lusine and Sarai: "Forever n' Ever"
Thursday, May 5th:
Work with Ray: SAY GOOD NIGHT, GRACIE
Work with Nechelete and Christian: TABLE SETTINGS
Friday, May 6th:
Final Performances:
Itzel and Kimberly:"Shopping"
Glaiza and Dionna: "Cyberromance"
Lusine and Sarai: "Forever n' Ever"
For next week:
Ray: SAY GOODNIGHT, GRACIE
Nechelete and Christian: TABLE SETTINGS
Saturday, April 23, 2011

APRIL 25, 2011 - APRIL 29, 2011
WEEKLY AGENDA FOR BEGINNING ACTING
Monday, April 25th:
Vocal Exercises
Sense Memory Exercise
Work with “The Show”: Christian Polanco and Melody Gulliver
Work with TABLE SETTINGS: Tane Tolbert and Nechelet Hambie
Tuesday, April 26th:
Shortened day
Theatre Games
Work with Lea
Work with Alegra
Work with Emigdio
Wednesday, April 27th:
Lea, Alegra, and Emigdio will present their scenes today.
The actors will view their scenes and write their reflections
Their notebooks with their reflections will be due tomorrow
Work with “Friends Again”
Work with CRIMES OF THE HEART
Thursday, April 28th:
Work with “He Promised Never Again!”
Today the following scenes will do their scenes:
“The Show”
TABLE SETTINGS
The actors will view their scenes and write their reflections
The notebooks with their reflections will be due tomorrow
Friday, April 29th:
Today the following scenes will perform:
“He Promised Never Again!”
“Friends Again”
Theatre Games
Friday, April 08, 2011

APRIL 11, 2011 – APRIL 15, 2011
PLAY PRODUCTION AGENDA
Monday, April 11th:
Scripts for “Mean Girls” and “Wayne’s World”
Actors work on scenes
I will rehearse the individual scenes today
Tuesday, April 12th:
Shortened day!
BREAKFAST CLUB rehearse
Work on scenes
Wednesday, April 13th:
BREAKFAST CLUB rehearse
Actors perform their scenes today
Thursday, April 14th:
BREAKFAST CLUB rehearse
Actors perform their scenes today
5:30 Make-up Call
7:00 Performance
Friday, April 15th:
Actors perform their scenes today

APRIL 11, 2011 – APRIL 15, 2011
BEGINNING ACTING AGENDA
Monday, April 11th:
Vocal exercises
Theatre Games
The actors in SPEED THE PLOW and “THE ROOMMATE” will view their scenes and write reflections on their work. The reflections and their journals will be due tomorrow, Tuesday, April 12th.
Work with:
“The Hereafter”
“Friends Again”
Tuesday, April 12th:
Shortened Day!
Vocal Exercises
Theater Games
Today “The Show” with Christian Polanco and Melody Gulliver will perform their scenes.
Work with:
TABLE SETTING
Wednesday, April 13th:
Vocal Exercises
Sense Memory Exercises
Work with:
“Friends Again”
CRIMES of the HEART
Thursday, April 14th:
Vocal Exercises
Sense Memory Exercises
Work with:
“He Promised Me Never Again!”
Friday, April 15th:
The following scenes will perform:
“The Hereafter”
“Friends Again”
“He Promised Me Never Again!”
Watch video and write a reflection
Remember your notebook is due when your reflection is due: the day after you watch your taped scene.
Sunday, April 03, 2011

APRIL 4, 2011 – APRIL 8, 2011
WEEKLY AGENDA FOR BEGINNING ACTING
Monday, April 4th:
Theatre Games
Vocal Exercises
Work with:
SPEED THE PLOW
“The Show”
These two shows, SPEED the PLOW and “The Show”, will perform this Friday
Tuesday, April 5th:
Regular Schedule
Theatre Games
Vocal Exercises
Emotion Memory Exercises
Work with:
Ana Santos and Cynthia Zarate in “The Accident”
Nechelet Hambie and Tone Tolbert in TABLE SETTINGS
Wednesday, April 6th:
Vocal Exercises
Sense Memory Exercises
Mae Butryn and Dionna Carroll in “The Hereafter”
Sesha Brown and Fatima in Trejo “Friends Again”
Thursday, April 7th:
Vocal Exercises
Sense Memory Exercises
Yoana Estrada and Xiomara Hernandez in CRIMES of the HEART
Lia Beck and Alegra Barajas in “The Roommate”
Friday, April 8th:
Vocal Exercises
Theatre Games
Today the following scenes will perform and be taped:
“The Roommate”
SPEED THE PLOW
“The Show”
Friday, March 25, 2011

MARCH 28, 2011 - MARCH 31, 2011
WEEKLY AGENDA FOR BEGINNING ACTING
Monday, March 28th:
Theatre Games
Tuesday, March 29th:
Pivotal Moment:
Kimberly
Itzel
Performance:
AGNES of GOD
Niya and Miwa
CLERKS and AGNES of GOD watch their scenes.
Wednesday, March 30th:
Most Pivotal Moment:
Dionna
Lusine
Work with:
Speed the Plow
The Show
Thursday, March 31st:
Most Pivotal Moment:
Sesha
Fatima
Performance:
Speed the Plow
The Show
Friday, April 1st:
No school!
Sunday, March 20, 2011

MARCH 21, 2011 - MARCH 25, 2011
AGENDA FOR BEGINNING ACTING
Monday, March 21st:
Vocal Exercises
Most Pivotal Moment:
Stephanie
Joanna
Work with:
Agnes of God
Clerks
Tuesday, March 22nd:
Sense Memory/Emotion Memory Exercises
Most Pivotal Moment:
Christian
Melody
Work with:
Clerks
Speed the Plow
Wednesday, March 23rd:
Vocal Exercises
Most Pivotal Moment:
Krista
Niya
Work with:
Clerks
The Hereafter
Thursday, March 23rd:
Theatre Games: The Entrance Game
Most Pivotal Moment:
Dionna
Alex
Work with:
Clerks
The Hereafter
Friday, March 24th:
Most Pivotal Moment:
Ray
Emigdio
Work with:
The Show
Performances:
Agnes of God
Speed the Play
Clerks
Monday, March 14, 2011

MARCH 14, 2011 - MARCH 18, 2011
WEEKLY AGENDA FOR BEGINNING ACTING
Monday, March 14th:
Vocal Warm-ups!
Most Pivotal Moments:
Alegra
Lia
Finish first showing of first scenes:
Lusine
Alexis
Ray
Danielle and Andy review the video on their work
Your acting notebook will be due tomorrow with the reflection
Tuesday, March 15th:
Vocal Warm-ups!
Most Pivotal Moment:
Alex Birinyi
Cody Gallegos
Finish first showing of first scenes:
Jennifer
Luisa
Sarai
Wednesday, March 16th:
Vocal Warm-ups!
Most Pivotal Moment:
Sesha Brown
Mae Butryn
Finish first showing of first scenes:
Artak
Cynthia Valdez
Thursday, March 17th:
Vocal Warm-ups!
Most Pivotal Moment:
Lusine
Joanna
Second round of rehearsals:
Agnes of God
Miwa and Niyah
Friday, March 18th:
Theatre Games
The Entrance Game!
Second round of rehearsals:
Alex and Cody
Monday, February 28, 2011

February 28, 2011 - March 4, 2011
Beginning Acting Weekly Agenda
Monday, February 28th:
Work on acting scenes
Tuesday, March 1st:
Work on “Who, What, Where, When” Journals
Vocal Warm-ups
Sense and Emotional Memory Exercises
Work with Lia and Alegra on “The Roommate”
Wednesday, March 2nd:
Theatre games
Work on scenes
Thursday, March 3rd:
Work on “A Day in the Life” journal
Most Pivotal Moment: Danielle Bossette on “The Cave”
Work with Danielle and Andy in “The Cave”
Work with Lia and Alegra on “The Roommate”
Friday, March 4th:
Work on the character’s biography
Most Pivotal Moment:
Lia in “The Roommate”
Alegra in “The Roommate”
Present the following scenes:
“The Cave”
“The Roommate”
The actors will watch their videos and write a self reflection which will be due, along with their notebooks, on Monday.
Sunday, February 20, 2011

WEEKLY AGENDA FOR ACTING CLASS
FEBRUARY 22, 2011 - FEBRUARY 25, 2011
Tuesday, February 22nd:
Vocal Warm-ups
Work on Who, What, Where, When Journal
Work with Lia and Alegra on "The Roommate" in front of class
Wednesday, February 23rd:
I won't be here today. Field trip! Sorry guys!
Work on scenes
Thursday, February 24th:
Work on Character's Bio
Work on the Entrance Game
Work with Andy Kear and Danielle Bossette on "The Cave" in front of class
Friday, February 25th:
I won't be here on Friday or Monday. Work on your scene. We will begin presenting scenes next week.
Friday, February 18, 2011

2011 Spring Semester Acting Scenes
February 18th:
Yoana Estrada Crimes of the Heart
Xiomara Hernandez
Niyah Edwards Thelma and Louise
Krista Toroitch
Ana Santos The Accident
Cynthia Zarate
Lia Beck The Roommate
Alegra Barajas
Andy Kear The Cave
Danielle Bossette
Melody Gulliver The Show
Christian Polanco
Luisa Rodriguez He Promised – Never Again
Yakelin Oajaca
Tone Tolbert Table Settings
Nechelet Hambie
Katherine Valdez The Break-in
Jennifer
Joanna Magalog Speed the Plow
No Scene or Partner
Sesha Brown
Artak Savtalyan
Itzel
Kimberly Lopez
Fatima Trejo
Emigdio Solis
Monday, February 14, 2011

February 14, 2011 - February 18, 2011
Weekly Agenda for Beginning Acting
Monday, February 14th:
Vocal Exercises
Physical Warm-ups
Go over notebook
Theater Games
Tuesday, February 15th:
Theatre Games!
Make sure everyone has scenes
Wednesday, February 16th:
Vocal Exercises
Physical Warm-ups
Pass out folders
Pass out the following handouts:
Welcome to Beginning Acting
Preparation for Creating a Character
Who, What, Where, When Journal
Objectives, Super Objective and the Pivotal Moment
A Day in the Life
Character's Bio
Self Reflection on Scene
Thursday, February 17th:
Vocal Exercises
Physical Warm-ups
Work on the "Who, What, Where, When Journal"
Work on the first scene:
"Thelma and Louise"
Christa
Niya
Friday, February 18th:
Vocal Exercises
Physical Warm-up
Theatre Games: The Exit Game!
Work on "Who, What, Where, When" Journals
Work with:
"The Roommate"
Lia and Alegra
Objective and Superobjectives

OBJECTIVES and SUPER OBJECTIVES:
Objectives are what you need right now, this moment.
Objectives are simple and immediate: the need to have someone open the door; the need to have someone look at you; the need to have someone listen to you and pay attention, etc.
Each objective met will combine to get you closer to realizing your super objective: what you really need to be happy, safe and content.
Super objectives are larger life needs: the need to live, to survive; the need to take care of your child; the need to love someone and to have that person love you back; the need to have meaningful work.
What does your character want or need to happen by the end of the scene?
What does your character need from the other character to make this happen?
What do you need to do to make that other character make you happy or get your objectives met?
Is the other character standing in your way? What do you need to do to make that character either get out of the way or to actively help you get your needs met?
How will these smaller objectives combine to help you realize your super objectives (larger life needs or dreams)?
PIVOTAL MOMENT:
In every scene there is conflict of some kind. What significant moment in your character’s life made your character choose a particular course of action (which is shown in your scene)?
Create a scene of a pivotal moment (important, crucial moment) in your character’s past in which your character decides to take a particular course of action.
In the scene, “The Witness”, it could be seeing someone brutally murdered in front of you in the past which propels you to become a detective or a cop, or it could be seeing someone murdered in front of you (in the recent past) and you decide not to come forward as a witness.
In “DMV Tyrant”, it could be something as trivial as being pulled over by a rude traffic cop who notices that your driver’s license has expired and you have to get it renewed. If you are the DMV clerk, it could be too many instances of too many rude, dumb people annoying you for too many years.
Your pivotal moment will be determined by your scene’s character. The pivotal moment should be based on your character and your character’s past. It should be a minimum of three minutes long and can include dialogue. You may use other people in the scene with you.
Who, What, Where, When Journals

WHO, WHAT, WHERE, WHEN JOURNALS
When you receive your script, one of the first things you do to personalize the character is to go through the script and create a back story about every person, place, thing or event that you and the other character in the scene refer to.
How do you feel about the other character in the scene? What is your relationship with this person? How long have you known this person? What do you want from this person – both moment to moment, but also in long terms (super objective)?
You need to make up a personal story that creates in you the same reaction that your character feels. For example: if your character is talking about an older brother or sister that s/he looks up to, find a person in your own life that you admire and look up to. If you don’t have anyone like that in your own life, then create someone or create a composite (from several different people, real or from books or films) of someone who you could admire. Write a minimum of half a page about this person. Describe how s/he looks. Describe how s/he acts. Create an anecdote (short story) that shows why this person is meaningful to you.
If your character or the other character in the scene mentions a place, then you must describe the place. You can either draw a picture or create a collage of the place. Then you must write why this place is significant to you. How do you feel about this place? Is it positive? Why? What event occurred here that makes it positive? Does this place remind you of something that is positive? Is it negative? Why? What event occurred here that makes it negative?
If there is an event that occurred in the past, then describe the event. How do you feel about this event? How did it affect you?
If there is an item in the scene, how do you feel about this item. What significance does this item have for you?
A Day in the Life

A DAY IN THE LIFE
When you are creating a character you need to know what your character does on a daily basis.
Where does s/he live? Does s/he live in New York in an apartment, or in a house in the suburbs or on a farm?
What kind of job does your character have? What does s/he do at that job? What does your character enjoy about the job? What are some of the challenges your character faces with this job?
Does your character have a family? Describe the people in your character’s family.
What does your character enjoy doing? What are some of your character’s hobbies? What does your character excel at?
What are some of the challenges with which your character has difficulties?
After work what does your character do to have fun or to relax?
Preparation for Creating a Character

PREPARATION for CREATING a CHARACTER:
1. Character Background
2. A Day in the Life
3. Who, What, Where, When Journal
4. Super Objective and Objectives
When you present your scene for the final performance in this class, you must also turn in your notebook with the above information. Each of the above, “Character Bio”, “A Day in the Life”, “Who, What, Where, When Journal”, and “Super Objectives and Objectives” must be typed and EACH ONE MUST BE at least one full page.
Each assignment is worth 100 points.
Sunday, February 13, 2011
Beginning Acting Syllabus

BEGINNING ACTING
Welcome to Beginning Acting. The class is taught by Kate Bridges. The class is a "round robin" class which means that you will be in the acting class for about four weeks; then, after the fourth week you will transfer into a new class, which will be either dance with Ms. Thompson or dance with Ms. Goldschein or Stage Craft with Kate Morrison or Voice with Mr. Sacks. Each class will last approximately four weeks and you will then go into the next class. In the spring you will decide which of the four disciplines (acting, dance, music or stage craft) you are interested in and you will be enrolled in one of the four classes.
Each day the acting class will start with vocal exercises, stretches, physical warm-ups and acting exercises - some of them fun, some of them weird. But everyone is expected to participate and the grade will be based in part on participation and cooperation.
We will do theatre games which are for the most part fun, and do require everyone to get up on her or his feet and participate. The games do serve a purpose and are designed to help the young actor grow.
You will pair up or work in small groups of three or four and create scenes and/or pantomimes according to a set guide line which you will perform for a grade. One of the assignments will be given during the second week of class where you and two other actors will each create characters and a scene during which you incorporate three predetermined phrases.
The next acting assignment will be the observation exercise which is where you choose a person whom you know. You will "become" this person in a one to two minute scene where this person is involved in some activity you have seen this person do. You may use props, other actors and you may speak as the person. This activity will be assigned during the first or second week of class.
You will rehearse with me twice. You will present to me what you have created on your own; I will direct and block your scene which you will then rehearse. A few days later you will rehearse the scene for me but this time fully memorized, with props and blocking. You will then be scheduled to perform the scene in front of the class. The class will learn to critique the scenes in a respectful and supportive way. Due to the nature of the class, cooperation and participation are integral parts if the grade. One cannot work in theatre without getting up on one's feet and participating; nor can one do theatre without cooperation with one's fellow actors or with one's director/teacher.
As a member of the Performing Arts Magnet, you will be expected to usher and work tech on at least one show per semester and to see all of the plays, and dance and vocal productions put on by the magnet.
This should be a fun but also very demanding class. Because of the nature of the class it is important that we treat each other with respect at all times so that we may feel safe to create.
The grades will be determined by the following:
Participation/Cooperation: 60%
Scene: 20%
Written Work: 10%
Outside participation in magnet productions: 10%
The week’s agenda will be posted at hollywoodhighschool.net under teachers’ blogs, under jbridges and under Beginning Acting. You are expected to check it at least once a week to keep abreast of the class’s agenda. If you have a question please feel free to contact me at jkatbridge@aol.com.
Sincerely,
KATE BRIDGES
Sunday, January 23, 2011
1) In your opinion, what sets your theatre program apart from those of other schools?
A few months ago we had an orientation meeting for prospective students and their parents. Our students fielded questions about what they liked about the Hollywood High School Performing Arts Magnet and they replied that they loved the performing, the rehearsals, the teachers, the intense camaraderie they shared with their fellow performers. When asked what they didn’t like about the school, they answered,”Going home.”
Let me share with you the typical day in the life of a performing arts student. I liken the school day to boot camp for it starts early, is arduous, demanding and ends late! Our students are highly motivated to attend our school, so many of them rise each morning at four or five to get on the bus to be here by 7:45 when class begins. The students take academically challenging classes such as A.P. Calculus and Government in addition to their performance classes in dance, voice, acting and play production. The school day for the regular high school students at Hollywood ends at 3:05 but not for magnet students. Our performance classes in drama, dance and music will continue until five or six or seven or many times even later. When we are rehearsing for a show and are drawing closer to the opening, we will stay until nine or ten at night, and of course, there are the all day Saturday and Sunday rehearsals.
Many of the student-performers live far from school and must find their own way home
after these late night rehearsals - there are no buses after five p.m. - and the students
rise at four or five the next morning to do it all over again. And of course, there are the
weekend rehearsals. In order to participate in these shows, the students must maintain
a solid grade point average. As you can see, the level of commitment and responsibility
that is demanded of our students is tremendous.
- What is your school’s philosophy towards training students in theatre?
Our attitude towards training is embodied in the belief that each student is an artist and has the gift of creativity. It is our mission to free that student to express what is locked inside her or him. Our training is rigorous with the intent to instill discipline and awareness of self and others, and to prepare the young artist for additional training for a professional career. However, it must be noted that the focus of the training is not just to develop the young artist for a professional career but to develop the mind, soul and heart of a human being who may or may not become a professional artist but whose life has been touched and expanded through the arts. This young person will carry through out life the lessons, the awareness and the discipline that her arts training has given her.
3)
Monday, January 17, 2011

Monday, January 10, 2011

JANUARY 10TH WEEKLY SCHEDULE FOR
BEGINNING ACTING CLASS
Monday, January 10th:
Improvs
Theatre games: “Rock Star”
Students rehearse scenes with partners
The following students will watch their scenes and write a reflection:
Dianna and Christa
Niyah and Andy
Tuesday, January 11th:
Vocal Warm-ups
Physical Warm-ups
Pivotal Moment
Enter and first line of play
Last line from play and exit
Work with scene:
Christian and Ray: “The Medium”
Wednesday, January 12th:
Vocal Warm-ups
Physical Warm-ups
Pivotal Moment
Enter and first line of play
Last line from play and exit
Work with scene:
Christian and Ray: The Medium
Thursday, January 13th:
Vocal Warm-ups
Physical Warm-ups
Pivotal Moment
Enter and first line of play
Last line from play and exit
Work with scene:
Melody and Summer: “The Killers”
Friday, Janaury 14th:
Improvs
Theatre games
Scenes will perform
Monday, November 29, 2010
Character Background
Thursday, November 25, 2010

Sunday, November 14, 2010

Saturday, November 06, 2010

Saturday, October 30, 2010

Friday, October 22, 2010

OCTOBER 25th - OCTOBER 29th Weekly Agenda for Beginning Acting
Monday, October 25th:
Warm-ups!
Emotional Recall Exercises
Sensory Recall Exercises
Theatre Games
Finish up the Animal Studies
Tuesday, October 26th:
Shortened day!
The Entrance Game
Wednesday, October 27th:
Theatre Games!
Vocal warm-ups!
Observation Study
Choose someone whom you see rather frequently - every day, a couple of times a week, a month - someone whose personality you are familiar with; for example, you are familiar with the way s/he speaks, moves, etc. Become that person and create a one-to-three minute scene typical of what that person would do. You may speak as that character if you wish.
Thursday, October 28th:
Theatre Games!
Vocal warm-ups!
Begin working on the Observation study.
Friday, October 29th:
Theatre Games!
Vocal warm-ups!
Observation study!
Thursday, October 07, 2010
Monday, October 11th:
Theatre Games!
Warm-ups!
Finish showing your three scenes based on a short phrase!
Tuesday, October 12th:
Theatre Games!
Warm-ups!
Assignment: Animal Studies. Observe an animal. Observe how it moves. Then create a person who moves and behaves like that animal. The class will try to determine on what animal your character is based. We will begin presenting tomorrow.
Wednesday, October 13th:
Theatre Games!
Warm-ups!
We will begin our Animal Studies!
Thursday, Octoner 14th:
Theatre Games!
Warm-ups!
Finish up our Animal Studies!
Friday, October 15th:
Theatre Games!
Warm-ups!
Assignment: Choose someone you see on a fairly constant basis. Observe that person. Observe what that person does on a fairly regular basis. Then create a two minute scene in which you become that person and engage in that activity or behavior that person typically does. This is to be done without judgment. Do not choose someone that everyone knows. The person you choose can be a neighbor, a relative, a person who works at the convenience store at the corner in your neighborhood. We will start presenting on Monday, October 18th.
Sunday, October 03, 2010

October 4th - 8th Weekly Agenda for Beginning Acting Class
Monday, October 4th:
Continue performing the monologues and discussing the performances in class.
Tuesday, October 5th:
Continue performing the monologues and discussing the performances in class.
Wednesday, October 6th:
Continue performing the monologues and discussing the performances in class.
Thursday, October 7th:
After all the monologues have been performed, the students will be divided according to age, class, and experience. The older classes and those with more experience will go with Mr. Itkin.
First day of my class: theatre games.
Divide into groups of three and build three scenes on one of the following phrases:
“I’m sorry.”
“Thank you.”
“I don’t mind.”
Choose a different attitude for the three scenes.
Example: if you choose “Thank you”, then in the first scene you do, the “thank you” (which comes out of the situation of the scene) might be sarcastic. The second scene you write using the phrase “I’m sorry” might show genuine contrition. The third scene you write using the phrase “I’m sorry” might be silly.
Friday, October 8th:
Theatre games
Begin presenting the three scenes you wrote with your partners.
Friday, September 24, 2010

Beginning Acting Weekly Schedule
for September 27th - October 1st:
Monday, September 27th:
Continue monologues
Tuesday, September 28th:
Continue monologues
Wednesday, September 29th:
Continue monologues
Thursday, September 30th:
Continue monologues
Friday, October 1st:
Continue monologues
Sunday, September 19, 2010

BEGINNING ACTING SCHEDULE
for the week of
SEPTEMBER 20th - 24th:
Monday, September 20th:
Pass out contract
Acting exercises and theatre games
Begin working on your monologues!
Tuesday, September 21st:
Shortened day today.
Work on your monologues
Wednesday, September 22nd:
Work on your monologues
Thursday, September 23rd:
Work on your monologues
Friday, September 24th:
Begin presenting your monologues.
Remember! They must be memorized.
Friday, May 14, 2010

MAY 17, 2010 - MAY 21, 2010
Monday, May 17th:
No fifth period today due to CST.
Tuesday, May 18th:
Please be sure to bring your photo to class today.
Sit and study your character; allow your character to speak to you. What does s/he say to you? What does the character want? What is the character's greatest fear? What is the character's greatest desire? Write this down.
Nicholai and Tanya: watch their scene and write their reflections
Work with VANITIES: Jeniffer and Ericka
Wednesday, May 19th:
No class today due to CST.
Thursday, May 20th:
Period 5: 1:31 - 2:19 p.m. (48 minutes)
Bring your photo to class today. Create your character's past. What is the character doing now? Create the character's current circumstances.
Today I will work with VANITIES
I will also work with Raven Chaney-May in her scene.
Friday, May 21st:
Please bring your photo to class today. Begin writing a monologue for your character.
Scenes today: VANITIES

Reflections on Your Acting Scene
1. Could I be heard?
2. Was I understandable? Did I enunciate clearly?
3. Did I, as an actor, look comfortable on stage?
4. Did I create a believable character who was recognizable as a human being?
5. Did I create a believable environment? Did I break the fourth wall at any time? Was there a sense of time of day, time of year? Was there a sense of cliamte - heat or cold, or rain? Did I give an indication to where I was physically - outdoors? At the beach, in a city, in the woods? Inside a room, and if in a room, what kind of room?
6. Did I relate to the other character on stage? Did I give a sense of my relationship with the other character? Did I like the other character? Are we friends? How close is the relationship? If we are enemies, then why don't I like the other character?
7. Were my objectives clear - both my immediate objectives and my super objectives?
8. Did I play all the beats clearly and completely?
9. What surprised me the most in seeing my work on tape?
10. What surprised me the most about how I sounded on tape?
11. What did I like the best about my work?
12. What could I do to improve?
Saturday, April 24, 2010
Weekly Agenda for Beginning Acting
Monday, April 26th:
Warm-ups!
One Good/One Bad Theatre Scene based on your scene
Rehearse with a scene TBA
Tuesday, April 27th:
Theatre Games
Performance:
ROMIE and MICHELE
Katherine and Alexis
Wednesday, April 28th:
Warm-ups!
Theatre games
Rehearse with a scene TBA
Thursday, April 29th:
Warm-ups!
Entrance game
Rehearse with a scene TBA
Friday, April 30th:
Performances
Tuesday, April 13, 2010

APRIL 12, 2010 - APRIL 16, 2010
WEEKLY AGENDA FOR BEGINNING ACTING
Monday, April 12th:
Most students not here today due to field trips. Those whose scene partners are here may rehearse outside.
The rest will do theatre games.
The Good, the Bad and the Ugly
Poetry Slam
Tuesday, April 13th:
Warm-ups: vocal, physical, and sense and emotion memory
Work with Tiffany and Tiffany
I will also try to work with another scene
Wednesday, April 14th:
I will not be here today so you can play theatre games.
Thursday, April 15th:
Warm-ups
Work with two scenes today
Scenes tba
Friday, April 16th:
Warm-ups:
Today Tiffany, Tiffany and Armado will present their scene.
After their performance, there will be a short critique/discussion session. The actors will then view the tape of their work and write a reflection on their work.
Please be aware that your journals: "Who-What-Where-When" journal, "A Day in the Life" and the character's biography are due on the day of performance. Failure to turn in the journals will lower your grade dramatically.
Sunday, March 21, 2010

MARCH 22, 2010 - MARCH 26, 2010
WEEKLY AGENDA FOR BEGINNING ACTING
Monday, March 22nd:
Warm-ups:
Vocal, sense and emotion memory exercises
The following actors will watch the video of their scenes:
Taguhi and Marlene in PRIDE and PREJUDICE
Vada and Trina in MISREADINGS
Today Nickolai and his scene partner are up!
Tuesday, March 23rd:
Shortened day!
Improvs
Work with the following people:
Nickolai Dorian
Tiffany Jimenez
Kevin Robbins
Wednesday, March 24th:
Warm-ups:
Improvs
Work with the following people:
Nickolai Dorian
Tiffany Jimenez
Kevin Robbins
Thursday, March 25th:
Warm-ups:
Improvs
Work with the following people:
Nickolai Dorian
Tiffany Jimenez
Kevin Robbins
Friday, March 26th:
Warm-ups:
Improvs
The following people will do their scenes today:
Nickolai Dorian
Tiffany Jimenez
Kevin Robbins
Saturday, March 06, 2010

MARCH 8, 2010 - MARCH 12, 2010
WEEKLY AGENDA FOR BEGINNING ACTING
Monday, March 8th:
Warm-ups
A Day in the Life Journals
The actors who presented their scenes on Friday, Karissia, Jasmine, Tiffany and Sofie will watch their scenes and write a reflection on their work.
Work with Trina and Vada
Tuesday, March 9th:
Shortened day
Theatre games!
Wednesday, March 10th:
Warm-ups
A Day in the Life Journals
Work with Kevin and Oliver
Thursday, March 11th
Warm-ups
A Life Journals
Work with Kevin and Olvier
Work with Taguhi and Marlene
Friday, March 12th:
Final scene presentations today:
Trina and Vada
Oliver and Kevin
Theatre Games
Sunday, February 28, 2010
Monday, March 1st:
Theatre games
Work with:
Roommates:
Tiffany Sulcer
Sofie Hernandez
Tuesday, March 2nd:
Not a shortened day.
Warm-ups
Who, What, Where, When Journals
Work with:
Clearing in the Woods:
Jasmine Gibson
Karissia Russell
Wednesday, March 3rd:
Warm-ups:
Who, What, Where, When Journals
Work with:
Misreadings:
Trina Keely
Vada Servin
Thursday, March 4th:
Warm-ups
Journals: A Day in the Life
Work with Nickolai and his scene partner
Friday, March 5th:
Warm-ups:
Journals: A Day in the Life
Scenes to be performed today:
Friends or Enemies
Tiffany Jimenez
Raven Chaney-May
Clearing in the Woods:
Jasmine Gibson
Karissia Russell
Redo:
Roommates:
Tiffany Sulcer
Sofie Hernandez
Wednesday, February 17, 2010

BEGINNING ACTING
ACTING SCENES:
THE ROOMMATE
Tiffany Sulcer and Sophie Hernandez
ROSENCRANTZ AND GUILDENSTERN
Savvy Duplissea and Lai- Ua Tanedo
ROMY AND MICHELLE
Alex Segundo and Katherine Cordoza
CLEARING IN THE WOODS
Karissia James and Jamine Gibson
TROUBLE
Raven Leon and Haley Gonzalez
FRIENDS OR ENEMIES
Tiffany Jimenez and Raven Chaney May
BEST FRIENDS AGAIN
Jessisca Monterrosa
Genesis Gomez
PRIDE AND PREJUDICE
Marlene Oseguera
Taquhi Tavitian
MISREADINGS
Trina Keely
Vada Servin
No Scenes:
Armando Medina
Jordan Mantor
Charlie Mesa
Kevin Robbins
Tiffany Jimenez
Nickolai Dorian
Oliver Alvarez
Monday, February 15, 2010

BEGINNING ACTING
WEEKLY AGENDA
FOR
FEBRUARY 16TH - FEBRUARY 19TH
Tuesday, February 16th:
Warm-ups:
Vocal, Physical and sense and emotion memory
Find a scene partner and a scene
Wednesday, February 17th:
Warm-ups
Journal: Who, What, Where, When
Begin rehearsing with your scene partner
Today one scene will rehearse with me.
Thursday, February 18th:
Warm-ups:
Journal: Who, What, Where, When
Continue rehearsing with your scene partner
Today one scene will rehearse.
Friday, February 19th:
Rehearse with your scene partner
Tuesday, February 02, 2010
FEBRUARY 1ST - 5TH:
THE FOLLOWING ASSIGNMENTS FOR THE FIRST PERFORMANCE ARE DUE BY WEDNESDAY, FEBRUARY 3RD:
"THE WHO, WHAT, WHERE, WHEN" JOURNALS in which you detail every who, what, where, when that is mentioned in your scene.
"A Day in the Life" which is a typical day in the life of your character.
"A Life" which is the biography of your character
The reflection on your taped performance of your first scene
Your final will be your second scene. It must be memorized with props and blocking.
Saturday, January 09, 2010

WEEKLY AGENDA FOR
BEGINNING ACTING
JANUARY 11th - January 15th
Monday, January 11th:
The following people need to rehearse with me this week. Three scenes will perform their scenes on Friday, January 15th, and the rest of the scenes will perform next Thursday and Friday, January 21st and January 22nd.
The following people must rehearse with me this week:
Jeneffer Acuna
Celene Anguiano
Katherine Cardoza
Raven Chaney-May
Meg Giron
Ericka Habana
Sophie Hernandez
Karissia James
Tiffany Jimenez
Armando Medina
Tanya Moniaga
Jessica Monterroso
David Moreno
Kevin Robbins
Vivian Ruffin
Alexis Segundo
Vada Servin
Tiffany Sulcer
Today I will randomly select three scenes to rehearse today. You must have it memorized and blocked with props.
Tuesday, January 12th:
Today three more scenes will be randomly selected to rehearse today.
Wednesday, January 13th:
Today three more scenes will be randomly selected to rehearse today.
Thursday, January 14th:
Today three more scenes will be randomly selected to rehearse today.
Friday, January 15th:
Today FAMILY SCENES with Deborah Rocha and Trina Keeley;
“The Roommate” with Genesis Gomez and Haley Gonzalez; and “The Job” with Jasmine Gibson and Tiffany Sulcer will perform today.
The scenes will be videotaped. After your performance you will turn in your autobiography; your “Day in the Life” and your “Who, What, Where, When” journals.
You will watch the videotape of your performance and write a reflective journal. The journal should answer theses questions:
Could I be heard?
Could I be understood?
Were my lines memorized?
Did I use real props?
Did I use my blocking?
Was I focused?
Was I in character?
Did I break character or break the fourth wall?
Did I create a believable environment?
Did I move comfortably as the character in the environment?
Did I relate to the other character in the scene?
Did I listen to the other character?
Did I have a believable relationship to the other character?
Did I create a believable character?
What did I do well in the scene?
What could I do to improve?
Please write in complete sentences and in paragraph form.